The painting features a bold, abstract composition dominated by a range of dark, earthy tones and dynamic brushstrokes. Amidst the rich, textural background, distinct curvilinear forms emerge, creating a sense of movement and tension. The artist's expressive and gestural technique lends an energetic and spontaneous quality to the work. While the subject matter is not immediately recognizable, the piece evokes a sense of organic, natural forms, hinting at a deeper, emotional or symbolic resonance. This abstract, expressionist work reflects the artist's personal exploration of the relationship between chaos and order, nature and the human experience. ...
Samuel Jablon’s artistic practice is firmly rooted in poetry, a constant source of inspiration for him as he seeks to explore the dynamic interplay between language and materiality. His paintings combine elements of adult malaise with romanticized childhood memories, resulting in a palpable tension between words and materiality that is deeply embedded in poetic verse. Some of his titles exude innocence and beauty, such as 'Honey on My Tongue' and 'Washed by Sun,' while others, like 'Death is Elsewhere' and 'Comfort Can Fuck Itself,' convey a sense of nihilism. Through his work, Jablon creates a psychoanalytic wormhole that transports the viewer from benign critical designations to mundane anxieties and fever dreams. His use of oil stick results in a spontaneous and harmonious convergence of colors, while the blocky capital letters, which are anthropomorphic and aggressive, scream at the viewer. However, Jablon intentionally obscures the potential meaning and initial understanding of his works through the strategic use of visual information. ...
