The painting is characterized by a bold, vibrant use of color, primarily in shades of orange and blue. The composition features abstract, fluid shapes that appear to be overlapping and intertwined, creating a dynamic and visually engaging pattern. The brushstrokes are thick and expressive, suggesting a spontaneous and energetic approach to the painting process. The overall style is abstract and expressionistic, with the artist's focus on the formal qualities of the medium rather than on any specific representational subject matter. This work likely reflects the artist's intention to explore the emotive potential of color, form, and texture in the creation of a visually captivating and thought-provoking contemporary artwork. ...
Samuel Jablon’s artistic practice is firmly rooted in poetry, a constant source of inspiration for him as he seeks to explore the dynamic interplay between language and materiality. His paintings combine elements of adult malaise with romanticized childhood memories, resulting in a palpable tension between words and materiality that is deeply embedded in poetic verse. Some of his titles exude innocence and beauty, such as 'Honey on My Tongue' and 'Washed by Sun,' while others, like 'Death is Elsewhere' and 'Comfort Can Fuck Itself,' convey a sense of nihilism. Through his work, Jablon creates a psychoanalytic wormhole that transports the viewer from benign critical designations to mundane anxieties and fever dreams. His use of oil stick results in a spontaneous and harmonious convergence of colors, while the blocky capital letters, which are anthropomorphic and aggressive, scream at the viewer. However, Jablon intentionally obscures the potential meaning and initial understanding of his works through the strategic use of visual information. ...
