This vibrant abstract painting features bold, expressive brushstrokes in a riot of colors. The predominant red letters "NO BAD DAYS" are rendered in a playful, almost childlike style, set against a background of swirling blues, pinks, and yellows. The composition is dynamic, with the text and colors creating a sense of energy and optimism. The use of bold, unblended strokes and a lack of discernible subject matter reflects the artist's focus on pure abstraction and expression. This piece exudes a joyful, carefree spirit, perhaps intended to convey a message of positivity and embracing each day, regardless of circumstance. ...
Samuel Jablon’s artistic practice is firmly rooted in poetry, a constant source of inspiration for him as he seeks to explore the dynamic interplay between language and materiality. His paintings combine elements of adult malaise with romanticized childhood memories, resulting in a palpable tension between words and materiality that is deeply embedded in poetic verse. Some of his titles exude innocence and beauty, such as 'Honey on My Tongue' and 'Washed by Sun,' while others, like 'Death is Elsewhere' and 'Comfort Can Fuck Itself,' convey a sense of nihilism. Through his work, Jablon creates a psychoanalytic wormhole that transports the viewer from benign critical designations to mundane anxieties and fever dreams. His use of oil stick results in a spontaneous and harmonious convergence of colors, while the blocky capital letters, which are anthropomorphic and aggressive, scream at the viewer. However, Jablon intentionally obscures the potential meaning and initial understanding of his works through the strategic use of visual information. ...
