Samuel Jablon

Chaos, 202096.5 x 86.4cmPrice on Request

Details

Material

oil and acrylic on canvas

Description

Human-crafted. AI-refined.

This vibrant abstract painting features a dynamic composition of bold, colorful shapes and lines. The dominant colors are vivid shades of orange and blue, which create a striking contrast and sense of energy. The shapes range from geometric forms to more organic, gestural brushstrokes, suggesting a playful and expressive approach. The overall composition is balanced, with a central circular element surrounded by a web of intersecting lines and shapes. The artist's distinctive style is evident in the confident, expressive brushwork and the use of color to convey a sense of movement and visual rhythm. This work likely reflects the artist's intention to create a visually compelling and emotionally resonant abstract painting. ...

Similar Artworks

Tao Hui 陶辉Being Wild No.1 奔放 No.1, 2022Price on Request

Vunkwan TamUntitled (A billionaire unveils an electric truck styled after a 1996 polygon render), 2020Price on Request

Tom AllenYellow, and Pink, Violet and Red, 2023Price on Request

Jesse DarlingSANS CESSE, 20226000 EUR

Li Hei DiSilence like a spine, 2022Price on Request

Ser Serpasconjoining fabricated excesses literal end to a mean, 2021Price on Request

Joanna WośUntitled, 2022Price on Request

Vojtěch KovaříkAlexander The Great and His Horse Bucephalus, 2022Price on Request

Guillaume ValentiGuy, 2020Price on Request

Artist

Samuel Jablon

American

Samuel Jablon’s artistic practice is firmly rooted in poetry, a constant source of inspiration for him as he seeks to explore the dynamic interplay between language and materiality. His paintings combine elements of adult malaise with romanticized childhood memories, resulting in a palpable tension between words and materiality that is deeply embedded in poetic verse. Some of his titles exude innocence and beauty, such as 'Honey on My Tongue' and 'Washed by Sun,' while others, like 'Death is Elsewhere' and 'Comfort Can Fuck Itself,' convey a sense of nihilism. Through his work, Jablon creates a psychoanalytic wormhole that transports the viewer from benign critical designations to mundane anxieties and fever dreams. His use of oil stick results in a spontaneous and harmonious convergence of colors, while the blocky capital letters, which are anthropomorphic and aggressive, scream at the viewer. However, Jablon intentionally obscures the potential meaning and initial understanding of his works through the strategic use of visual information. ...