This bold and vibrant abstract painting features a dynamic interplay of geometric shapes and bold brushstrokes. The canvas is filled with a warm palette of oranges, yellows, and reds, creating a sense of energy and movement. The composition is marked by intersecting lines and angular forms that suggest an underlying, rhythmic structure. The artist's distinctive painterly technique, characterized by thick, expressive brushwork, lends a tactile quality to the work. This piece appears to be part of the artist's exploration of the relationship between color, form, and the inherent expressiveness of the medium, reflecting the artist's personal vision and the spirit of the contemporary art movement. ...
Samuel Jablon’s artistic practice is firmly rooted in poetry, a constant source of inspiration for him as he seeks to explore the dynamic interplay between language and materiality. His paintings combine elements of adult malaise with romanticized childhood memories, resulting in a palpable tension between words and materiality that is deeply embedded in poetic verse. Some of his titles exude innocence and beauty, such as 'Honey on My Tongue' and 'Washed by Sun,' while others, like 'Death is Elsewhere' and 'Comfort Can Fuck Itself,' convey a sense of nihilism. Through his work, Jablon creates a psychoanalytic wormhole that transports the viewer from benign critical designations to mundane anxieties and fever dreams. His use of oil stick results in a spontaneous and harmonious convergence of colors, while the blocky capital letters, which are anthropomorphic and aggressive, scream at the viewer. However, Jablon intentionally obscures the potential meaning and initial understanding of his works through the strategic use of visual information. ...
