Ser Serpas
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This contemporary artwork appears to be a vanity or dresser arrangement. The visual elements include a wooden frame with a mirror, a wooden surface with various grooming and personal care items arranged on it, and a stuffed animal sitting among the items. The composition creates a sense of a personal, intimate space. The style seems eclectic, blending found objects and everyday items in an artistic display. The context suggests this piece may be a reflection on the rituals and objects associated with personal care and self-expression, providing insight into the artist's perspective on the human experience. ...
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Ser Serpas
B.1995Ser Serpas’s practice exists at the blurred intersection of art, poetry and activism. Whether creating sculptures from debris found on the street, working with a hoard of fabric gifted by her friends, making an exhibition out of objects she found at the exhibition site, drawing in public spaces, or writing on train rides, Serpas makes work that complicates the notion of materiality amidst the late-capitalist condition. Created in private, intimate, seemingly improvised moments, the works are never fully -visible to her audiences. The artist’s exhibitions are composed of assemblages of discarded and mistreated objects turned corporeal, becoming what the artist calls ‘assisted readymades’. Subverting Duchamp’s readymades and Rauschenberg’s Combines – the male-dominated history of sculpture – Serpas returns the objects to the streets after her exhibitions, allowing them to revert to their original state and provokes playful questions about the value of the space inside a museum, as opposed to the outside. An activist since high -school, the artist speaks up about structural inequalities, and provides support through facilitated workshops, community aid and artistic inspiration. Written by Goldsmiths CCA ...