No Light In White Light / Night Cartography, Night of the 14/04/2015

Charbel-Joseph H. Boutros

No Light In White Light / Night Cartography, Night of the 14/04/2015, 201550 x 70cmPrice on Request
Details
MaterialGalleryLocation
carbon and black spray on paperMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

This abstract artwork features a bold, central black hole-like form against a neutral gray background. The composition is minimalistic, with the dark, amorphous shape dominating the frame. The blurry, atmospheric edges of the black mass create a sense of depth and contrast, highlighting the contrast between light and dark. The technique appears to be a form of controlled application of media, possibly through spray painting or airbrushing, resulting in a captivating, yet enigmatic visual experience. This piece likely explores themes of emptiness, the void, and the interplay of positive and negative space. ...

Similar Artworks
FALLING CARYATID #2
Benjamin RenouxFALLING CARYATID #2, 201713000 USD
Remote Vaginis
Young Joon KwakRemote Vaginis, 2017Price on Request
Workshop for Peace / Cry Pan Cry
Korakrit ArunanondchaiWorkshop for Peace / Cry Pan Cry, 2018Price on Request
Rose
Dala NasserRose, 20197500 GBP
Square shadow #3 (green)
Daiga GrantinaSquare shadow #3 (green), 202411000 EUR
Nervous Systems II
Nils Alix-TabelingNervous Systems II, 20221200 GBP
Inverted Masturbator Vaginis IV
Young Joon KwakInverted Masturbator Vaginis IV, 2017Price on Request
Poppy
Dala NasserPoppy, 202213350 GBP
With history in a room filled with people with funny names 4
Korakrit ArunanondchaiWith history in a room filled with people with funny names 4, 2017Price on Request
SELF-PORTRAIT (Valentin) #1
Benjamin RenouxSELF-PORTRAIT (Valentin) #1, 20168000 USD
Untitled, from the serie Pinturas Protéticas
Adriano AmaralUntitled, from the serie Pinturas Protéticas, 2022Price on Request
With what eyes #14
Rodrigo HernándezWith what eyes #14, 20239500 USD
Sans titre
Morgan CourtoisSans titre, 2021Price on Request
Charbel-Joseph H. Boutros
Artist
Charbel-Joseph H. Boutros
1981 , Lebanese

In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.

Charbel-Joseph H. Boutros: Artworks
Vanitas vanitatum omnia vanitas
Charbel-Joseph H. BoutrosVanitas vanitatum omnia vanitas, 2012Price on Request
No light in white light
Charbel-Joseph H. BoutrosNo light in white light, 2014Price on Request
But even dead can dance #2
Charbel-Joseph H. BoutrosBut even dead can dance #2, 2011Price on Request
...
Charbel-Joseph H. Boutros..., 2016Price on Request
Lovers
Charbel-Joseph H. BoutrosLovers, 2011Price on Request
Night Cartography #3
Charbel-Joseph H. BoutrosNight Cartography #3, 2019Price on Request
No Light In White Light / Night Cartography, Night of the 14/04/2015
Charbel-Joseph H. BoutrosNo Light In White Light / Night Cartography, Night of the 14/04/2015, 2015Price on Request
Boutros The Last Week of 2020
Charbel-Joseph H. BoutrosBoutros The Last Week of 2020, 2020Price on Request
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and ...
Charbel-Joseph H. BoutrosI stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 2016Price on Request
THE MOST MAGICAL LINE IN VERMEERS PAINTING
Charbel-Joseph H. BoutrosTHE MOST MAGICAL LINE IN VERMEERS PAINTING, 2023Price on Request
Untitled Until Now
Charbel-Joseph H. BoutrosUntitled Until Now, 20235000 USD
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...