Anemone

Dala Nasser

Anemone, 2022202 x 227cmSign in to view price
Details
Material
bedsheets, pillow cases, dye made of hibiscus and anemone, ash, salt, duck tape, iron oxide, rainwater
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a bold, abstract composition with a predominance of muted pink, red, and gray tones. The shapes are organic and asymmetrical, creating a sense of dynamism and tension within the frame. Subject Matter: The piece appears to depict fragmented, layered forms that suggest a sense of decay or disintegration. There are no recognizable elements or symbols, allowing the viewer to interpret the work in their own way. Artistic Style and Technique: The artwork employs a mix of painting and collage techniques, with visible textures and materials that add depth and complexity to the overall aesthetic. Context: This abstract work seems to explore themes of fragmentation, impermanence, and the balance between order and chaos, reflecting the artist's unique perspective on the human experience. ...

Similar Artworks
Narziss 1 (Narcissus 1)
Raphaela Simon
Narziss 1 (Narcissus 1), 2024
120 x 150cm
TO BE ANNOUNCED
I CAN SMILE AT THE PAST no. 1 (The Bishop)
Birke Gorm
I CAN SMILE AT THE PAST no. 1 (The Bishop), 2018
200 x 100cm
lewd & wealthy
Anna-Sophie Berger
lewd & wealthy, 2022
100 x 135cm
the Horse Wearing a Red Ear Bonnet and Eye Blinders
Xinyi Cheng 程心怡
the Horse Wearing a Red Ear Bonnet and Eye Blinders, 2020
160 x 145 x 3cm
IOU
Birke Gorm
IOU, 2021
50 x 12 x 9cm
Cierto Nomadismo: Hacerse Nudo
Hellen Ascoli
Cierto Nomadismo: Hacerse Nudo, 2024
96 x 55cm
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
Shadows of fallen fists fighting for fake traumas
Donna Kukama
Shadows of fallen fists fighting for fake traumas, 2020
133 x 100 x 5cm
Wachturm (Watchtower)
Raphaela Simon
Wachturm (Watchtower), 2024
180 x 200cm
Fountain III
Xinyi Cheng 程心怡
Fountain III, 2012
42 x 40 x 30cm
Lifted Lounge #2 (Orange)
Tschabalala Self
Lifted Lounge #2 (Orange), 2021
88.9 x 55.9 x 162.6cm
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and ...
Charbel-Joseph H. Boutros
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 2016
40 x 116 x 115cm
Not Yet (And Nobody Knows Why Not)
Donna Kukama
Not Yet (And Nobody Knows Why Not), 2008
At Home - Man in Yellow in Purple Room
Tschabalala Self
At Home - Man in Yellow in Purple Room, 2022
121.9 x 91.4cm
I CAN SMILE AT THE PAST no. 3 (The Executioner)
Birke Gorm
I CAN SMILE AT THE PAST no. 3 (The Executioner), 2018
200 x 100cm
Boutros The Last Week of 2020
Charbel-Joseph H. Boutros
Boutros The Last Week of 2020, 2020
36 x 25cm
Why You for Me?
Donna Kukama
Why You for Me?, 2023
128 x 208 x 4.5cm
Knorpel (Cartilage)
Raphaela Simon
Knorpel (Cartilage), 2021
150 x 230cm
No Light In White Light / Night Cartography, Night of the 14/04/2015
Charbel-Joseph H. Boutros
No Light In White Light / Night Cartography, Night of the 14/04/2015, 2015
50 x 70cm
Elefant (Elephant)
Raphaela Simon
Elefant (Elephant), 2024
220 x 170cm
The rain cloud gathered, knowing how their tears would become a violent storm in waiting
Donna Kukama
The rain cloud gathered, knowing how their tears would become a violent storm in waiting, 2019
218.5 x 189cm
Erasing the World
Hoda Kashiha
Erasing the World, 2021
120 x 150cm
Aperitif
I have (already) felt you
Hellen Ascoli
I have (already) felt you, 2019
120 x 100cm
IOU
Birke Gorm
IOU, 2021
75 x 12 x 9cm
Homebodies - In Fall
Tschabalala Self
Homebodies - In Fall, 2022
61 x 45.7cm
huswif (TREE)
Birke Gorm
huswif (TREE), 2021
77 x 32 x 10cm
proprietous & poor
Anna-Sophie Berger
proprietous & poor, 2022
100 x 135cm
Red Bonnet
We can't (and won't) live without our lives
Donna Kukama
We can't (and won't) live without our lives, 2019
89 x 124 x 4.5cm
Night Cartography #3
Charbel-Joseph H. Boutros
Night Cartography #3, 2019
38 x 9.5 x 6cm
Parapetto
Spalte (Split)
Raphaela Simon
Spalte (Split), 2024
170 x 200cm
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in...
Hoda Kashiha
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself, 2023
150 x 120cm
Black Fan
Donna Kukama
Black Fan, 2018
38 x 29cm
Wash N’ Set
Tschabalala Self
Wash N’ Set, 2019
111.8 x 177.8cm
lewd & poor
Anna-Sophie Berger
lewd & poor, 2022
100 x 135cm
loaf of meat (3805g)
Birke Gorm
loaf of meat (3805g), 2020
51 x 17 x 10cm
Somos Seres Entretejidos
Hellen Ascoli
Somos Seres Entretejidos, 2024
60 x 15 x 4cm
A Body’s Place
Hellen Ascoli
A Body’s Place, 2019
20 x 83 x 73cm
huswif (AIT)
Birke Gorm
huswif (AIT), 2021
67 x 32 x 13cm
Narziss 2 (Narcissus 2)
Raphaela Simon
Narziss 2 (Narcissus 2), 2024
160 x 190cm
Swimmer
Leisure Man in Blue Shirt on Hardwood Floor
Tschabalala Self
Leisure Man in Blue Shirt on Hardwood Floor, 2022
183.2 x 145.1 x 4.1cm
Vanitas vanitatum omnia vanitas
Charbel-Joseph H. Boutros
Vanitas vanitatum omnia vanitas, 2012
3 x 20cm
The day vanilla decided she was a spice
Donna Kukama
The day vanilla decided she was a spice, 2020
172 x 172cm
Bird Sings from Orange which is About Majesty
Hoda Kashiha
Bird Sings from Orange which is About Majesty, 2019
180 x 160 x 5cm
Dala Nasser
Artist
Dala Nasser
B.1990, Lebanese

Dala Nasser is a material-based artist who works across various mediums including painting, performance, and film. Nasser’s work examines the intersection of human and non-human entanglement in relation to environmental, historical, and political issues, particularly those resulting from practices of extraction and colonial erasure. Her artistic process involves using materials that carry literal meaning, and her work is rooted in her personal experiences and the history of her region. In her solo exhibition “Time spent without its flow” at V.O Curations in London, she used found fabrics from her grandparents' house located in the south of Lebanon, which she coloured with natural dyes made from wildflowers that can withstand toxic soil. After dyeing the textiles, she applied charcoal rubbings from the trunks of olive trees and flintstone from neighbouring terrace walls. This repetitive process is subject to the elements, with the markings gradually being washed away. ...

Dala Nasser: Artworks
Flint Stone
Dala Nasser
Flint Stone, 2022
160 x 120cm
Zaytoun
Dala Nasser
Zaytoun, 2022
172 x 110cm
Oak
Anemone
Dala Nasser
Anemone, 2022
202 x 227cm
Hibiscus
Dala Nasser
Hibiscus, 2022
220 x 234cm
Poppy
Dala Nasser
Poppy, 2022
260 x 260cm
Rose
Unlock Price & Inquiry Access