NO MATH METHOD (10% Hoochie)

Laura Aldridge

NO MATH METHOD (10% Hoochie), 202234 x 37 x 5cmSign in to view price
Details
MaterialGallery
glaze sampler, hessian, metal, wood, rock, string in artist custom frameKendall Koppe
Description
Human-crafted. AI-refined.

Laura Aldridge's "NO MATH METHOD (10% Hoochie)" is a vibrant sculpture combining bold colors like orange, green, and red with soft textures and intriguing forms. A mix of abstract patterns and three-dimensional elements protrude, creating a playful yet intentional composition. The work incorporates diverse materials and techniques, reflecting Aldridge’s collage-like style in both two and three dimensions. Through its sensory appeal and the tension between viewing and interacting, the piece invites viewers into a space of introspection and engagement, characteristic of Aldridge’s exploration of experience and perception. ...

Similar Artworks
February, May Berlin
February, March
FINGERS
Jyll BradleyFINGERS, 2022
31 x 22 x 4cm
You Are My True Form
Graft (Green)
Jyll BradleyGraft (Green), 2023
168 x 11 x 11cm
December Chile
Fiore blu
Adelaide CioniFiore blu, 2024
160 x 190cm
Cordon Oblique
Jyll BradleyCordon Oblique, 2023
168 x 160 x 10cm
Red Hinge
Johanna UnzuetaRed Hinge, 2019
102 x 37cm
Gears
Johanna UnzuetaGears, 2012
44 x 9cm
Blue and Grey Chain
Graft (Green)
Jyll BradleyGraft (Green), 2023
168 x 11 x 11cm
Dark Brown Hinge
Johanna UnzuetaDark Brown Hinge, 2022
100 x 40 x 0.3cm
Dark Blue Hinge
Johanna UnzuetaDark Blue Hinge, 2022
115 x 43 x 0.5cm
Black and Grey Chain
February, March
February Berlin
Bello o più bello
Symptom
Paloma ProudfootSymptom, 2024
176 x 195 x 4cm
Graft (Green and Pink)
Lagos still life II
Adaptable Chain
Goddess of Things
Sleeve Front L
Tanoa SasrakuSleeve Front L, 2023
94 x 58 x 4.5cm
Blue Hinge
Self Portrait
Nijinski
buttai 38
untitled
Miho Dohiuntitled, 2023
29 x 23 x 0.5cm
Two Blue Ones
June, July
Johanna UnzuetaJune, July, 2020
132 x 100cm
Buckled
Holly StevensonBuckled, 2022
10 x 9.5 x 21cm
Bodyscape #4
Daisy CollingridgeBodyscape #4, 2023
135 x 230 x 4cm
Pin
Paloma ProudfootPin
17 x 9 x 9cm
untitled
Miho Dohiuntitled, 2025
16.5 x 20.5 x 0.5cm
Graft (Green and Blue)
May, Berlin
A Beautiful Pair
Holly StevensonA Beautiful Pair, 2023
10 x 9.5 x 7.8cm
Pippa
Daisy CollingridgePippa, 2022
120 x 60 x 160cm
Sound Bleed
Paloma ProudfootSound Bleed, 2025
136 x 102.5 x 7.5cm
buttai 34
Graft (Green and Blue)
Laura Aldridge
Artist
Laura Aldridge
B.1978, UK

Laura Aldridge works with a broad range of media; photography, textiles, ceramics, glass and with processes such as printing, casting and dyeing. Aldridge’s body of work moves freely between wall-based reliefs and sculptural assemblages or installations, playing on the abilities of ‘collage’ to operate in two and three-dimensions. Aldridge’s work often explores the double-bind of subjectivity and objectivity, making versus experiencing, viewing versus participating, attraction versus repulsion. Her work invites an impulsive response that is interrupted by barriers that limit a physical engagement with the work itself. At this intersection Aldridge allows the intuitive and the sensory to unfold - giving weight to a viewers own sensory reaction and experience. ...

Laura Aldridge: Artworks
A Cosmic Reset
Laura AldridgeA Cosmic Reset, 2024
300 x 290 x 290cm
Collecting as a Practice
Copy Out (matter)
Dirty Pour
Laura AldridgeDirty Pour, 2024
500 x 32 x 14cm
Libretto-ah!
Laura AldridgeLibretto-ah!, 2021
148.5 x 64cm
NINE
Laura AldridgeNINE, 2021
65 x 25cm
Solid Errors
Laura AldridgeSolid Errors, 2024
500 x 30 x 18cm
Tailoring
Laura AldridgeTailoring, 2022
34 x 37 x 5cm
Things that soak you (XIV)
Things that soak you XV
You & Me
Laura AldridgeYou & Me, 2024
500 x 75 x 30cm
You & Me (II)
Laura AldridgeYou & Me (II), 2024
500 x 75 x 30cm
Kendall Koppe
Gallery
Kendall Koppe
Glasgow, Glasgow

Founded in 2011, Kendall Koppe is a Glasgow-based gallery committed to championing under-represented voices in contemporary art, with a particular focus on queer and female artists. The gallery fosters a space where personal narratives intersect with broader cultural, historical, and social contexts, while also advocating for Scotland’s role in the international visual arts landscape.