Mohamed Namou

If skin could speak, about : 16.12.23, 202321 x 17 x 5cm2500 USD

Details

MaterialGalleryLocation

acrylic on steelParliamentParis

Description

Human-crafted. AI-refined.

This minimalist contemporary artwork features a white rectangular panel with a distinctive honeycomb-like texture across its surface. The subtle, repetitive pattern creates a visually engaging composition that plays with light and shadow. The use of a monochromatic palette and the simplicity of the design suggest a focus on the inherent qualities of the material and the sculptural form. This piece likely explores themes of materiality, geometric abstraction, and the interplay between positive and negative space, reflecting the artist's interest in the aesthetics of industrial and architectural elements. The overall clean, refined appearance and the absence of overt subject matter contribute to the work's contemplative and meditative quality. ...

Similar Artworks

Samir Laghouati-RashwanSouvenirs de Marrakech, 20242000 USD

Nathanaelle HerbelinMiroir, 2020Price on Request

Erwan SeneEn quels cieux lointains brula le feu de tes prunes, 2020Price on Request

Erwan SeneYou'll always eat with us , 2021Price on Request

Raphaël Bachir OsmanMilky, 20231600 EUR

Louis JacquotManu, 20243400 EUR

Alice GuittardLe miroir de la salle de bain, 2022Price on Request

Iván ArgoteWe Own Our Time, 202315000 EUR

Alexandre Benjamin NavetFragments V, 20247000 EUR

Andrés BarónRamiro's painting, 20232600 EUR

Nathanaelle HerbelinOrev, 2022Price on Request

Samir Laghouati-RashwanOver isn’t over, 20243500 USD

Artist

Mohamed Namou

B.1987, Algerian

Born in Oran in 1987, Mohamed Namou lives and works in Avignon. He is a graduate of the École Nationale Supérieure des Beaux-Arts de Paris (2014). Mohamed Namou's practice involves an analysis of the performativity of images, analyzed as a potential space to connect and reorganize our perceptions and paradigms (ideas). Mohamed Namou develops his practice around different media such as painting, installation, sculpture, and video. Among his solo exhibitions, his work has been shown at Mor.Charpentier (Paris), Proyectos Monclova (Mexico), Levy.Delval (Brussels), Berthold Pott (Cologne). Among his group exhibitions, his work has been shown at Villa Medicis (Rome), Neuer Kunstverein (Wien), Lewben Art Foundation (Lithuania), Galleria Continua (Boissy-le-Châtel), Kindl Museum (Berlin) and AUTOCENTER (Berlin). His work can be found in various public and private institutions such as Lewben Art Foundation (Lithuania), Maria Baibakova Collection (NY, Moscow), ADNCollection (Bolzano), Zabludowicz Collection (London), Fondazione Memmo (Roma) and the Nomas Foundation (Rome). ...

Mohamed Namou: Artworks

Mohamed NamouAfter recursivity, React : D'<D, 20235100 USD

Mohamed NamouAfter recursivity, React : C'<C, 20235100 USD

Mohamed NamouAfter recursivity, React : B'<B, 20235100 USD

Mohamed NamouAfter recursivity, React : F'<F, 20235003 USD

Mohamed NamouAfter recursivity, React : A'<A, 20235003 USD

Mohamed NamouIf skin could speak : about sat.01.10,, 20234600 USD

Mohamed NamouIf skin could speak : about sat.28.12, 20234600 USD

Mohamed NamouIf skin could speak : about sat.01.03, 20234600 USD

Mohamed NamouIf skin could speak : about sat.17.07.97, 20234600 USD

Mohamed NamouIf skin could speak : about sat.06.01.24, 20232500 USD

Mohamed NamouIf skin could speak : about sat.23.12.23, 20232500 USD

Mohamed NamouIf skin could speak, about : 16.12.23, 20232500 USD

Mohamed NamouIf skin could speak: about mon. 14.09, 20232500 USD

Gallery

Parliament

Paris

Parliament Gallery, founded in 2020, resembles a desire to rethink the function of the art gallery by formulating new proposals of audience interaction with the artwork and visibility to a new generation of french and international artists. Parliament wishes to build through a program that is dedicated to the circulation of ideas and collective reflection. The exhibition program will be interspersed with punctual “Interludes”, archive exhibitions and retrospectives, aiming to put into perspective the transdisciplinary character of creation.