I stay in each town eight weeks, sir
I stay in each town eight weeks, sir
I stay in each town eight weeks, sir
I stay in each town eight weeks, sir

Nana Wolke

I stay in each town eight weeks, sir, 2022180 x 220cmSign in to view price
Details
MaterialGallery
oil and sand on linenManagement
Description
Human-crafted. AI-refined.

The artwork features a striking composition of vibrant blue and yellow hues. The prominent focal point is a series of undulating, vertically stacked metal bars or pipes in a deep, saturated blue tone. The overall impression is one of movement and dynamism, with the repeating lines and shapes creating a sense of rhythm and tension. The artist's distinctive technique, likely involving the use of bold brushstrokes and layering of colors, contributes to the work's contemporary, abstract feel. The artwork may be exploring themes of industrial design, architectural structures, or the interplay between rigid and fluid forms. ...

Similar Artworks
Death in Nathan Road
Untitled 4
Hic sunt Dracones
Sad Leaders Power Play
Learnt Behaviour
Enchantment
Body VII
Lito KattouBody VII, 2020
191 x 148 x 0.5cm
Hic sunt Dracones
Materials
Hana MiletićMaterials, 2021
156 x 260 x 1cm
Body V
Lito KattouBody V, 2020
231 x 167 x 11cm
Ungrounding #17
Maintenance (Daybook)
Brambles
Elisa BertagliaBrambles, 2021
43 x 35cm
Nana Wolke
Artist
Nana Wolke
B.1994, Slovenian

The work of Nana Wolke explores the nature of perception, focusing its attention on modes of apprehension of space and time. Her series of works usually begins on film-like sets, where the artist records the unfolding of staged situations and improvised actions occurring in spaces spanning social hierarchy. Wolke proceeds to assemble and edit both original and found footage to create distinctly monochromatic visual atmospheres and rhythms that she then translates into painting and sound installations. Using commonplace lighting to model space and generate the grain, textures and slippages of her images and sequences, Wolke utilizes a variety of devices chosen as much for their technical properties than for their social significance – e.g. CCTV equipment, home video camcorders, inventory cameras, intercom systems, etc. Considering the multiple viewpoints from which an action can be witnessed, Wolke’s work conjures a tension between observation and control, often inviting viewers to navigate environments that interrogate notions of access and inclusion – whether for economic, social, or security purposes. In so doing, Wolke reflects upon the conflation of desire and shame in contemporary modes of production and consumption of images and visual culture. By constantly confronting the logic of live actions, cinema and paint, Wolke ultimately seeks to analyze the progressive inextricability between actual and artificial realities. ...

Nana Wolke: Artworks
No thank you
Management
Gallery
Management
New York City

Management is a contemporary art gallery operating in the heart of New York’s Chinatown since October 2021. The gallery represents diverse emerging artists and focuses on realizing ambitious, original presentations that challenge and complicate dominant trends and discourses within contemporary art.