Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons
Goûte le melon c'est comme les bonbons

Rachel Marsil

Goûte le melon c'est comme les bonbons, 2021140 x 137cmSign in to view price
Details
MaterialGallery
jacquard weaving, cottonGalerie Cécile Fakhoury
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a vibrant and dynamic composition, dominated by a range of warm colors, including shades of orange, yellow, and peach. The overall design incorporates a collage-like arrangement of geometric shapes, patterns, and stylized figures, creating a visually stimulating and energetic effect. Subject Matter: The piece depicts a multitude of abstract human-like forms, some resembling statues or totems, intertwined with organic shapes and patterns that evoke a sense of nature and energy. Artistic Style and Technique: This work appears to be a tapestry or textile piece, showcasing a bold and expressive style that combines elements of abstract expressionism, primitivism, and a graphic, almost collage-like approach. Context: The artwork likely reflects the artist's exploration of themes related to cultural identity, the human form, and the interconnectedness of humanity and the natural world, drawing inspiration from diverse artistic traditions and perspectives. ...

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Rachel Marsil has developed an artistic language at the intersection of textile design and painting. Her multidisciplinary work explores questions of identity and the representations that can be associated with it. Through her work, Rachel Marsil plunges us into an intimate, colourful universe where a series of lithe silhouettes inhabit the space of the canvas. They seem to be immersed in contemplative waiting, looking beyond the visible into a world of the unconscious in which we participate.Through her research, the artist seeks to understand the different dynamics of memory and identity conveyed by the cultural circulation of images, both personal and archival, in a post-colonial, multicultural and globalised world. ...

Rachel Marsil: Artworks
À ma soeur
Couple
Rachel MarsilCouple, 2022
84 x 75cm
Couple au bouquet
Daydreams
Devant la fenêtre
J'entends l'orage
Jardin aux agaves
Jardin jaune # 2
Jardin jaune #1
Jardin jaune #3
L'aube
Rachel MarsilL'aube, 2023
187 x 141cm
L'aurore
Rachel MarsilL'aurore, 2023
191 x 134.5cm
La robe rayée
La sieste
Rachel MarsilLa sieste, 2023
175 x 140cm
Le bouquet
Les amoureux #2
Les souliers roses
Mellowness
Peau soleil
Pose sur moto
Scene
Rachel MarsilScene, 2018
89 x 129cm
Untitled
Untitled
Rééquilibre
Déséquilibre
Baigneur
La cueillette
Le costume jaune
Les baigneurs
Le soulier bleu
Arbres sans fruits
Le premier fruit
Plateau du partage
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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