Rudi Ninov

Untitled (early blossoms), 2022110.5 x 81.5cm6700 USD

Details

MaterialGalleryLocation

acrylic on canvasGinsbergLima

Description

Human-crafted. AI-refined.

This contemporary artwork features a striking juxtaposition of vibrant colors and abstract shapes. The composition is comprised of a large blue shape on the left, resembling a stylized flower or organic form, and a rectangular canvas on the right displaying a textured, swirling pattern in shades of pink and turquoise. The overall aesthetic suggests a playful and experimental approach to form, color, and materiality, characteristic of contemporary abstract art. The artist's intention may have been to explore the interplay between geometric and organic elements, inviting the viewer to engage with the work's visual rhythms and dynamic energy. ...

Similar Artworks

Diedrick Brackensall caught and flow up, 2017Price on Request

Luke Edward HallORPHEUS WITH UNICORNS, 2024Price on Request

Nathanaelle HerbelinMarie, 2022Price on Request

Stefanie HeinzeLunar Croon, 2023Price on Request

Kristian TouborgLeafy Eye, 202313500 EUR

Daniel Otero TorresLos abrazos del viento, 2024Price on Request

Elle Pérezhost, 2020Price on Request

Luke Edward HallGanymede with Silver Spare, 2023Price on Request

Rodrigo HernándezEpigrama, 2020Price on Request

Kristian Touborg⁠(Insides of) A Brighter Space (and Interest Within), 202411500 EUR

Stefanie HeinzeOnkel Assoziation, 202350000 EUR

Daniel Otero TorresVeinticuatro manos más cerca, 202123000 EUR

Diedrick Brackensthe rhythm of consent, 2022Price on Request

Prae PupityastapornWalk in the Park, 202284000 THB

Nathanaelle HerbelinOrev, 2022Price on Request

Elle Pérezslip swell, 2019Price on Request

Artist

Rudi Ninov

1992

Rudi Ninov works with drawing, sculpture and painting, often bringing these media together within a series of works. His practice balances a sense of spontaneity with a more precise, reasoned character. His paintings for example, host decided color planes and geometric line work, whilst more organic, gestural forms also surface in the frame. Outlines traced onto canvas might be emulated in ceramic, stretched into new dimensions or doused in a new color palette. This shapeshifting methodology is playful in tone, while a process-based exploration reflects Ninov’s deep interest with formal composition and abstraction within art history. References to music, collected objects, comic strip graphics, poetry and early animation films merge with Ninov’s art historical interests, to generate a body of work which is both conceptually and personally driven. ...