This contemporary artwork features a vibrant color palette and striking visual elements. The central figure, a woman seen from behind, wears a long, flowing dress in shades of gold and orange, creating a striking silhouette against the muted background. The composition is balanced, with the woman's figure anchoring the frame and the blue sun-like symbol hovering above. The artwork employs a mix of figurative and abstract elements, blending recognizable shapes with more ambiguous, symbolic forms. The artist's style appears to merge realism and surrealism, inviting the viewer to ponder the deeper meaning and intention behind this thought-provoking piece. ...
"Dalila Dalléas Bouzar has always been a draughtswoman. She first trained in biology before discovering painting during a workshop in Berlin. Having become a permanent challenge for her, she enrolled at the Beaux-Arts de Paris to perfect this practice which became her preferred medium.
Her figurative style, at the crossroads of realism and fantasy, rejects the authority of a too sharp drawing in favour of an unlimited experimentation of colours and a contrasting treatment of light. From the political to the historical, from the biological to the psychological, her work questions on several levels the powers of pictorial representation, against all expressionist or illustrative tendencies. Her obsession with painting bodies and faces (her own as well as those of others) reflects her desire to consider the portrait as a means of identity investigation or critical expression of relationships of domination, whether patriarchy or colonialism.
Particularly sensitive to violence against bodies, she considers painting as a means of preserving, regenerating or reinventing their integrity. Her practice has broadened to performance and then textile art, two means of experiencing the body in ritual form and collective creation.
Born in Oran, of Algerian parents, she draws from her double culture other relationships to the image, the object and the sacred, attentive to the cultural dissonance she creates as well as to the hegemony of Western representations in the history of art. She identifies above all with African women and their traditions and draws from Algerian memory the forms of a history of violence to which her work responds.
From image to body, between the forces of the cosmos and the powers of the spirit, Dalila Dalléas Bouzar thus gives visibility, a luminous presence, to these wounded identities in order to better pay homage to their power."
Florian Gaité ...
Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...
