Katarina Caserman

Tysetza, 2022110 x 95.5cm7200 GBP

Details

MaterialGalleryLocation

oil on linenTabula Rasa GalleryLondon

Description

Human-crafted. AI-refined.

This vibrant abstract artwork features a dynamic interplay of bold colors and organic shapes. Swirling brushstrokes of warm oranges, reds, and yellows create a sense of movement, while sinuous lines of deep blues and greens weave through the composition. The overall effect is one of energy and intensity, with the artist's distinctive gestural style evident in the expressive, fluid brushwork. While the piece does not depict any recognizable subject matter, it invites the viewer to engage with the visceral, emotive qualities of the artwork. The expressive, improvisational nature of the painting suggests the artist's intention to convey a powerful, immersive visual experience. ...

Similar Artworks

Dee FerrisAbyss, 20171200 GBP

Mary Ramsden"Here we left it", 2021Price on Request

Dee FerrisSweet Spot, 20171200 GBP

Vivien Zhang 张月薇Echo Burst 2, 2022Price on Request

Sofia MitsolaLady Ghislaine II, 2022Price on Request

Santiago Evans CanalesOrgasm #1.5, 2023800 EUR

Stefania BatoevaThe rock, 202414000 GBP

Phoebe UnwinMachine in the Garden, 20188000 GBP

Mary Ramsdendevil's kettle, 2019Price on Request

Lito KattouBody V, 20208000 EUR

Li Hei DiFeverish letters, 202210500 GBP

Artist

Katarina Caserman

1996 , Slovenian

Katarina Caserman (b. 1996) is a London-based artist originally from Slovenia. The challenge of representing nonmaterial matter is central to Caserman's artistic inquiry. The artist sees that for each existing object, it requires a particular type of material to facilitate its growth, and within this process, the artist seeks to give form to the intangible. She recognises that thoughts, memories, and time exist beyond the bounds of our perceptible reality, yet they remain integral components of our lives. Her work aims to materialise these abstract concepts by imbuing them with tangible characteristics such as colour, shape, and movement. She obtained her MA in Painting at the Royal College of Art in 2022 and her BA in Painting at the Academy of Fine Arts and Design in Ljubljana. She was awarded a Ministry of Culture of Slovenia’s Scholarship for Promising Young Artists (2020). Caserman’s first solo show with Tabula Rasa Gallery is scheduled in 2024 in Beijing. Her recent exhibitions include And the safe spot become impassable, curated by Ethan Yip/Yisi Li (Hong Kong, 2024); Untalely, Tabula Rasa Gallery (Beijing, 2023); Tabula Rasa: Unveiled, No.9 Cork Street (London, 2023); The last train after the last train; Public Gallery (London, 2023); Pandora (Sivi.), Long Story Short NYC (New York, 2023); Conscious Unconscious, Pippy Houldsworth Gallery (London, 2023); NADA Miami 2022, presented by Tabula Rasa Gallery (Miami, 2022); It is Better to be Cats than be Loved, Tabula Rasa Gallery (London, 2022); Made in Heaven, duo solo, Des Bains (London, 2022); s02e02, International Centre of Graphic Arts (Ljubljana, 2019); and Fin-de-Siècle #III at Layer House Gallery (Kranj, 2019). Her works can be found in Deji Art Museum and many other private collections. ...

Katarina Caserman: Artworks

Katarina CasermanZwemtim, 2023Price on Request

Katarina CasermanRybitza, 2023Price on Request

Katarina CasermanSkorzy en, 2023Price on Request

Katarina CasermanTysetza, 20227200 GBP

Katarina CasermanDimesetzmána, 20223300 GBP

Katarina CasermanFoizelata, Yazlinate (On irreversible flow of things and other time), 202317510 GBP

Katarina CasermanPretenemtúle (The past increases, the future recedes), 202317510 GBP

Katarina CasermanUjeniemo (The moon is looking at), 2023Price on Request

Katarina CasermanToqiéto-foynifrh (Live has promised to sustain), 202416500 GBP

Katarina CasermanHarpynprah, 20243500 GBP

Gallery

Tabula Rasa Gallery

London

Tabula Rasa Gallery is based in Beijing's 798 art district. Established in 2015, it aims to promote both Chinese and international contemporary artists through exhibitions, talks, research and publication. The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from our experiences and education, all participants are born in a Tabula Rasa state. Tabula Rasa hopes that the exhibitions they present can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments.