This abstract painting features a mesmerizing interplay of fiery hues and organic, undulating forms. The dominant colors are shades of red, orange, and amber, which create a sense of warmth and intensity. The composition is characterized by flowing, biomorphic shapes that suggest a primal, visceral quality. The artwork employs a technique that appears to be a form of acrylic or oil paint pouring, resulting in a captivating, almost liquid-like surface texture. The overall effect evokes a sense of primal energy and the primordial forces of nature. ...
Similar Artworks
Lito KattouBody V, 20208000 EUR
Mary Ramsdensoundproofed as a dream, 2022Price on Request
Dee FerrisAbyss, 20171200 GBP
Stefania BatoevaHidden conflict (love and care), 202212500 GBP
Dee FerrisAnd the Songbirds Keep Singing, 20059000 GBP
Katarina Caserman (b. 1996) is a London-based artist originally from Slovenia. The challenge of representing nonmaterial matter is central to Caserman's artistic inquiry. The artist sees that for each existing object, it requires a particular type of material to facilitate its growth, and within this process, the artist seeks to give form to the intangible. She recognises that thoughts, memories, and time exist beyond the bounds of our perceptible reality, yet they remain integral components of our lives. Her work aims to materialise these abstract concepts by imbuing them with tangible characteristics such as colour, shape, and movement.
She obtained her MA in Painting at the Royal College of Art in 2022 and her BA in Painting at the Academy of Fine Arts and Design in Ljubljana. She was awarded a Ministry of Culture of Slovenia’s Scholarship for Promising Young Artists (2020).
Caserman’s first solo show with Tabula Rasa Gallery is scheduled in 2024 in Beijing. Her recent exhibitions include And the safe spot become impassable, curated by Ethan Yip/Yisi Li (Hong Kong, 2024); Untalely, Tabula Rasa Gallery (Beijing, 2023); Tabula Rasa: Unveiled, No.9 Cork Street (London, 2023); The last train after the last train; Public Gallery (London, 2023); Pandora (Sivi.), Long Story Short NYC (New York, 2023); Conscious Unconscious, Pippy Houldsworth Gallery (London, 2023); NADA Miami 2022, presented by Tabula Rasa Gallery (Miami, 2022); It is Better to be Cats than be Loved, Tabula Rasa Gallery (London, 2022); Made in Heaven, duo solo, Des Bains (London, 2022); s02e02, International Centre of Graphic Arts (Ljubljana, 2019); and Fin-de-Siècle #III at Layer House Gallery (Kranj, 2019). Her works can be found in Deji Art Museum and many other private collections. ...
Katarina Caserman: Artworks
Katarina CasermanZwemtim, 2023Price on Request
Katarina CasermanRybitza, 2023Price on Request
Katarina CasermanSkorzy en, 2023Price on Request
Katarina CasermanTysetza, 20227200 GBP
Katarina CasermanDimesetzmána, 20223300 GBP
Katarina CasermanFoizelata, Yazlinate (On irreversible flow of things and other time), 202317510 GBP
Katarina CasermanPretenemtúle (The past increases, the future recedes), 202317510 GBP
Katarina CasermanUjeniemo (The moon is looking at), 2023Price on Request
Katarina CasermanToqiéto-foynifrh (Live has promised to sustain), 202416500 GBP
Tabula Rasa Gallery is based in Beijing's 798 art district. Established in 2015, it aims to promote both Chinese and international contemporary artists through exhibitions, talks, research and publication. The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from our experiences and education, all participants are born in a Tabula Rasa state. Tabula Rasa hopes that the exhibitions they present can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments.