Lola Gonzàlez

Pasolini, Fassbinder, Filliou, 201329.7 x 42cm1500 EUR

Details

MaterialGalleryLocation

tirage gélatino-argentique monté sous passe-partoutMarcelle AlixParis

Description

Human-crafted. AI-refined.

This striking black and white photograph captures the movement and energy of swimmers in the water. The composition features the undulating waves and ripples of the surface, contrasted with the distinct silhouettes of the swimmers emerging from the water. The high contrast and sharp focus emphasize the dynamism of the scene, evoking a sense of vigor and exhilaration. The minimalist style and lack of identifiable individuals suggest the artist's focus on the universal human experience of physical activity and connection with the natural world. This image likely reflects the photographer's intention to showcase the beauty and power of the human form in motion. ...

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Artist

Lola Gonzàlez

1988 , French

Each film Lola Gonzàlez produces, makes the next one up. The complete set portrays an obsession, as dreams that'd never cease to return night after night, affecting day-time as well. The apparent lightness emerging from her first "buddy movies" has disappeared in favor of a desire that's more open to the world. Not unlike magical rituals, Lola Gonzàlez's films open on those young people facing outward, toward the landscape. Are they able to see a sign out there, they'll all read into in the same fashion? Each time, a deeply moving synchronicity sets in, creating a situation where communication channels through the bodies that brush by or voluntarily touch one another. ...

Lola Gonzàlez: Artworks

Lola GonzàlezAnouk & Lola, 2020Price on Request

Lola GonzàlezAppelle-moi, 2021Price on Request

Lola GonzàlezDebord, Ferre, Weil, 20131500 EUR

Lola GonzàlezFrida, Coluche, 20131500 EUR

Lola GonzàlezHuit, 2020Price on Request

Lola GonzàlezLe langage et l'amitié, essai n°1, 2018Price on Request

Lola GonzàlezLes anges, 2017Price on Request

Lola GonzàlezMouradia, 2023Price on Request

Lola GonzàlezNous, 2013Price on Request

Lola GonzàlezPasolini, Fassbinder, Ferre, 20131500 EUR

Lola GonzàlezPasolini, Fassbinder, Filliou, 20131500 EUR

Lola GonzàlezPierre Goldman, 20131500 EUR

Lola GonzàlezRappelle-toi de la couleur des fraises / Remember The Colour of Strawberries, 2017Price on Request

Lola GonzàlezTelma & Anouk, 2019Price on Request

Lola GonzàlezTonnerres, 2022Price on Request

Lola GonzàlezVeridis Quo, 2016Price on Request

Lola GonzàlezWinter is coming, 2014Price on Request

Gallery

Marcelle Alix

Paris

We founded Marcelle Alix in 2009 in Paris and settled in a characteristic, early 20th-century boutique in Belleville. The gallery is for us a creative space, where the dialog with artists is not only meant to selling artworks, but is also based on an equal relationship to creativity. We now represents thirteen artists and two duos. Our identity has been built with the support of the artists who opened our programme (Aurélien Froment, Louise Hervé & Clovis Maillet, Charlotte Moth, Ernesto Sartori, Marie Voignier) and those we introduced to the French art scene (Pauline Boudry/Renate Lorenz, Ian Kiaer, Donna Gottschalk). During these years, we have supported broad artistic careers (Laura Lamiel, Liz Magor and Mira Schor whose work we represent exclusively in Europe) and accompanied the development of new perspectives in sculpture (Gyan Panchal, Jean-Charles de Quillacq) in video (Lola Gonzàlez), and in drawing (Armineh Negahdari). Our gallery has been a pioneer in defining a space for queer art in France : in addition to showing her work within the artist duo Boudry/Lorenz since 2011, we have directed the translation into French of Renate Lorenz's 2012 seminal book, « Queer Art » in 2018. Since 2019, we have exhibited photographs by Donna Gottschalk documenting the lives of women living with women who were involved in the lesbian movement in the United States in the 1970s. In 2023 we organised an exhibition for the Utopi.e award—first award in France for Lgbtqi+ art—for which we have invited Paris galleries Air de Paris and Sultana as fellow participants. We insist on the central role of a gallery in the ecosystem of art as a place to make idiosyncratic positions visible and weave a critical narrative around the most contemporary visual forms. ...