Mathilde Albouy

Come on in (trèfle), 2023180 x 20cm3500 EUR

Details

MaterialGalleryLocation

poplar, beewaxGalerie DerouillonParis

Description

Human-crafted. AI-refined.

This minimalist sculpture features a striking black geometric form against a plain white background. The composition is dominated by the prominent vertical lines and angular shapes, creating a sense of symmetry and balance. The artwork appears to be crafted using a precise, industrial technique, possibly through metal fabrication or casting. The abstracted, floral-inspired motif suggests a focus on formal elements rather than representational imagery. Overall, the piece conveys a modernist aesthetic, likely reflecting the artist's intention to explore the interplay of form, negative space, and material in a reductive yet visually captivating manner. ...

Similar Artworks

NarcissisterUnititled Birthing Collage Series (Purses), 20232500 USD

Chalisée NaamaniNot fake, 20227000 EUR

Li Hei DiUnfolding a flood, 202210500 GBP

Li Hei DiSilence like a spine, 20226500 GBP

Chalisée NaamaniSacs à dos porteurs d'images, 20207000 EUR

Shuo HaoIcare, après la chute, 20237000 EUR

Michelle UckotterBasel girl, 20234000 USD

RMA Game of Sleep Chair, 20246000 CHF

Laëtitia Badaut HaussmannA Butcher's, 2017Price on Request

Rose Finn-KelceyUntitled: Boxing Glove and Bubble #1, 19707000 GBP

Salomé ChatriotSoft limits protocol POV 1, 2023Price on Request

NarcissisterUnititled Birthing Collage Series (Belly Button), 20232500 USD

Artist

Mathilde Albouy

1997

Playing on both formal and conceptual paradoxes, Mathilde Albouy's sculptural work invites the viewer to a game whose rules are not clearly defined. We don't know whether the encounter with her sculptures is an act of courtship or predation, confronting us with a dangerous seduction. Nourished by feminist science fiction, Mathilde uses the fictions generated by her pieces as political tools to question an established, binary reality. By hijacking scales and materials, the sometimes sharp or toxic objects become individuals in their own right, revealing how the beauty of objects, particularly feminine ones, conveys patterns of oppression. ...

Mathilde Albouy: Artworks

Mathilde AlbouyCombien tu veux ?, 2023800 EUR

Mathilde AlbouyOn dirait que je rentre en moi-même, 20226000 EUR

Mathilde AlbouyBombshell Lovers, 20212000 EUR

Mathilde AlbouyCome on in (trèfle), 20233500 EUR

Mathilde AlbouyCome on in (pique), 20233500 EUR

Mathilde AlbouyCome on in (carreau), 20233500 EUR

Mathilde AlbouyThe liar, 20236000 EUR

Mathilde AlbouyFrom mother to daughter to mother to daughter, 20245000 EUR

Mathilde AlbouyLes favorites (the haunters) (I), 20244000 EUR

Mathilde AlbouyLes favorites (the haunters) (II), 20244000 EUR

Mathilde AlbouyLes favorites ( the haunters) (III), 20244000 EUR

Mathilde AlbouyThey left without looking away, 202410000 EUR

Mathilde AlbouyLes favorites (I might protect you) (II), 202415000 EUR

Mathilde AlbouyLes favorites (I might protect you) (I), 202415000 EUR

Mathilde AlbouyThe young girl (Marguerite), 20244000 EUR

Mathilde AlbouyThe unfaithful, 20244000 EUR

Gallery

Galerie Derouillon

Paris, Paris, Paris

The Galerie Derouillon, founded by Benjamin Derouillon, opened its doors in September 2012 at 38 rue Notre Dame de Nazareth in the Haut-Marais district, which is emerging as one of the new poles of contemporary art in Paris, with the desire to defend a young generation of French and international artists. The programme offers a singular vision of today's art in its diversity of modes of expression, with a particular emphasis on painting, sculpture and installations. The selection of artists has in common a demanding and playful work that breaks with established codes.