This contemporary art installation utilizes a minimalist aesthetic, featuring a stark white backdrop and a series of suspended plant-based elements. The overall composition creates a serene, natural environment within the gallery space, with the strategically placed foliage and transparent panels evoking a sense of tranquility and introspection. The artist's intention appears to be exploring the relationship between the human-made and the natural world, inviting the viewer to consider their place within this delicate balance. Through the careful curation of materials and spatial arrangement, the artwork offers a contemplative experience that challenges the boundaries between the indoor and outdoor realms. ...
Since his studies at the Villa Arson in the 90s, the artist has been working with organic materials and is interested in exploring the beauty of decay and the poetic possibilities of the passing of time as these materials are allowed to deteriorate over the course of an exhibition.
The artist’s repertoire to date has included a large mushroom-like form made entirely of soy noodles; sculptures constructed of squeezed-out orange halves; paintings of mashed potato and beetroot purée; pizza paintings and pasta sculptures, and a sculptural grotto on which mung beans sprouted and grew over the period of display. Opening up the controlled environment of the museum to the unpredictability of natural processes and effectively creating a multi-sensory and ever-changing experience as these perishable materials physically change, Blazy’s installations encourage audiences to question notions of repulsion and disgust and re-think our assumptions about aesthetic beauty. ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
