Josèfa Ntjam
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Human-crafted. AI-refined.The artwork features a sculptural composition with a prominent concrete cylinder serving as a pedestal for a bronze figure. The figure, which appears to be a hand gesture, stands atop the pedestal, creating a striking visual contrast between the rough, industrial material of the base and the intricate, detailed craftsmanship of the sculpture. The artwork's use of minimalist forms and the juxtaposition of materials suggests an exploration of themes related to the human condition, power dynamics, and the relationship between the individual and the broader societal structures. The artist's intention may be to provoke contemplation on the complexities of human experience and the role of symbolic gestures in shaping our understanding of the world around us. ...
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Josèfa Ntjam
1992 , FrenchJosèfa Ntjam is an artist, performer and writer whose practice combines sculpture, photomontage, film and sound. Collecting the raw material of her work from the internet, books on natural sciences and photographic archives, Ntjam uses assemblage – of images, words, sounds, and stories – as a method to deconstruct the grand narratives underlying hegemonic discourses on origin, identity and race. Her work weaves multiple narratives drawn from investigations into historical events, scientific functions and philosophical concepts, to which she confronts references to African mythology, ancestral rituals, religious symbolism and science-fiction. These apparently heterogeneous discourses and iconographies are marshalled together in an effort to re- appropriate History while speculating on not-yet-determined space-times – interstitial worlds where systems of perception and naming of fixed (id)entities no longer operate. From there, Ntjam composes utopian cartographies and ontological fictions in which technological fantasy, intergalactic voyages and hypothetical underwater civilizations become the matrix for a practice of emancipation that promotes the emergence of inclusive, processual and resilient communities. ...